Showing posts with label Stone CM. Show all posts
Showing posts with label Stone CM. Show all posts

Tuesday, 18 July 2023

Tales from the Body Box - Peter Stone Trotting Drafter

This episode of 'Tales from the Body Box' features a horse who's been in that not-quite-literally-a-box storage space for a very, very long time!

My Stablemate bodies are kept in an actual cardboard box, but the few big models I bought while under the impression I'd ever dare handle painting something massive, are hidden behind the tv. Not quite as strange as it sounds - my tv isn't one of those modern ones which hang on a wall, it has to stand on a little unit of it's own, and cos I've got it pushed diagonally into the corner of the room, there's a triangular bit of dead space back there, for the wires, and the daddylonglegs spiders, and the dust, and the horses I'm putting off even THINKING about maybe painting one day!

Most of them have been in there for over a decade, that's how much I procrastinate when it comes to painting big models. I'm not quite sure which year I bought the horse in question, but he was released in 2002, and I checked out old photos and I definitely already had him in 2006.
He was a duplicate in my collection, a Peter Stone mid year release called Romi-o, bought extremely cheap as a damaged 'second' in the sale with a snapped-off bow from his mane, some serious paint scuffing on his rump and shoulder, as well as rubs to his ears and nostrils : one very beaten-up looking horse, who had been a lovely colour but wasn't nice enough to keep Original Finish any more.

And because I already had one of him (and the matching mare Juliet), I had a plan in mind for this boy - rather than just attempting invisible fixes to fill in the paint loss and replace the broken bow. Instead, I'd give him new white markings, extended and elaborated from the original shapes to cover every little scuff and scratch, and take off all the rest of the plastic bows to give him more realistic little ribbon ones instead. With a new sculpted tail, he could even return to his breeds' roots and become a Scottish Clydesdale rather than an American one (tail docking has been illegal in Britain since the 1920s).

Only it never happened.
All that time passed, and the poor horse sat behind the tv, gathering a coating of dust, mostly forgotten apart from the occasional times I'd remember I used to buy big horses and then not feel up to painting them.

Last week, I happened to lean over the tv to wriggle a wire cos the signal was being weird, and saw this horse again. Ok, he was still as big as I remembered, and I'm still not any good at painting wide expanses of smooth plastic with my little brushes and sticky paint and shaky hands, but... that one doesn't need much painting? Just the white, right? So I picked him up, wiped off all the dust and bits of dead fly, and had a look at him. Sure, I'd forgotten about the ear rubs, but those were even easier than the markings, cos it's just running a line of black along the edges. And it wouldn't take too long to cut off the old bows, and give him that new tail I'd thought of at the time. Then, at least, there'd be ONE less horse in waiting behind the tv, and I'd feel like I'd worked a little bit on this ongoing problem of not being able to deal with the big models back there.

Stupidly, I forgot all about taking a 'before' photo, but here's one from the internet!

And here he is, after his partial makeover!


All the body colour paint is original, I didn't even try to alter or restore it - every bit of damage on him is hidden with the white markings, the the hair-by-hair ticking, the new pink and grey skin of the muzzle, and the little bit of black on the edges of his ears. It as that lovely rich and dappled bay colour which made me buy him in the first place, knowing I'd be keeping that no matter what else I did around it.

He looked a bit weird with his mane and tail all plaited up, trotting along, but with no halter or bridle on - a horse would only have the braid and flights done for showing, and he'd always have tack on at the same time, so I decided I just HAD to make him a bridle too. I had a look back through some pictures of the Clydesdale classes at a local heavy horse show I went to last month, to make sure I was getting it correct and within the turnout rules. Geldings all wear a bridle with a bit, it doesn't always have a noseband but often does just cos that's a good place to put more decoration in the form of metal bosses, studs, or coloured patent leather to match the owner's colours seen in the mane bows and tail braid. The cheeks also have this little inset of co-ordinated colour, and many of the browbands too. So I got out my fake leather and some glossy red card from a biscuit box, and then he was all dressed up for the show ring, and not looking like he'd somehow got loose and run away without his halter on!


The bridle in closeup - I might replace the gold paint on the buckle keepers with actual gold foil strips, once I've got hold of some stickier superglue - the one I was using was awful and everything fell apart and had to be re-stuck multiple times!


And here's a full view, all finished!


The back view, showing the new tail. It might look odd, but this is how their tails are treated for showing (which is itself linked back to the working days, when a flowing loose tail would be a risk for getting caught up in harness or machinery). The lower two thirds are clipped to remove the long hair, leaving just the fleshy tail with a spiky stubble, while the upper third is left to grow long, braided, rolled back on itself, then secured with ribbons, like a little bun. When the horse isn't in the show ring, the tail then has enough hair to hang down, working naturally as a fly whisk and to be used in normal body language when interacting with other horses. Much better than docking!


Another angle, I'm really happy with how his new face marking came out, especially the pinking of the nose with little uneven patches of dark colour to give him some individuality.


I haven't named him yet but I'm really pleased to have finally got him completed, after all this time leaving him waiting. I did think 'Patience' would be a good name for that reason, but it sounds more like a mare, so I need to have a rethink. Just mustn't make him wait quite so long for his name as for his paint!

Monday, 23 August 2021

Tales from the Body Box - Scarlett O'Hara

This week's custom model is my first Peter Stone Pebbles repaint. Pebbles are 1/16th scale, which puts them a little bit larger than CollectA horses, but not nearly as big as Breyer Classics - around 4- 5 inches to the ears, depending on the breed and pose.

Pebbles haven't been sold in my country for a really long time, but that's ok because some of the bodies in my box have been there a really long time, and the other day I found the Saddlebred mares I'd bought then set aside for being too big when I was only painting minis, then promptly forgot all about when I wasn't painting at all. I decided it was time to tackle at least one of them this weekend!

Yes, I do like painting everything bay pinto!
Click any of my photos to see them full size, I don't like to overwhelm the blog pages with huge images.

And here's the other side. I think this way round with the mane showing is generally the display side with this sculpt, but I prefer how her patches turned out on the 'wrong' side (I was making them up as I went along, as that's so much easier than copying a reference!), so I don't really know which is the best way round for this one!

I've named her Scarlett O'Hara, after the character in Gone With the Wind - I'm not actually a fan of the film and I've never read the book, but it seemed the perfect choice because it combines names from two existing Saddlebred models in my collection : my first ever buy in this mould I named Scarlet Charlotte, and one of my recent Stablemate customs I called Southern Belle, so this name kind of pulls together the red idea and the historical/regional theme.
Real-horse people often give successive generations names which draw from one parent's side or another, or ideally mix both, so I like to play with similar ideas when naming my model ones.

I didn't stop at the painting, though - you may have already spotted the coloured braids in her mane and forelock (traditional show turnout for these gaited American breeds), and being quite a bit bigger than my usual scale, I was able to make her a bridle, too!

Saddlebreds are often photographed being held by a handler off-camera, with the reins disappearing away to one side, so I thought I'd do the same - though there's not a little 16th-scale figure holding them, but my own hand carefully trying to avoid casting an unrealistically huge shadow across the horse!

The bridle here is a double one, copied from photos - they always seem to have enormously wide browbands, almost always of patent leather, and usually red, no matter what colour the horse or the mane braids. Red seems to be the fashion, rather than co-ordination or picking something to compliment the coat colour, so red it had to be!

The bridle took longer to make than the horse took to paint, it's all carefully skinned fake leather with the backing peeled off to achieve the fineness of the leather used in real life - anything thicker would look bulky and out of scale.

Although I couldn't say I'm a particular fan of gaited horses, having never even seen one in real life, I do like models of them, with their dramatic poses and showy presence. Saddlebreds are famously referred to as 'the peacocks of the show ring', and look particularly striking when they're one of the wide range of flashy colours, so they're always fun to paint, too!

Showing her face markings a little better, a quirky blaze and one eye partly blue - this also captures her proud and showy attitude really well!