Saturday 25 June 2022

Two Breyer Traditionals

Two second-hand Traditional scale Breyer models to introduce this time! 

First here's Jasper, a special run only sold in Tractor Supply Company stores in the USA.


These special run models aren't tiny limited editions like some, but they are hard to get hold of in the UK where we don't have TSC - your only option if you really, really want one is to buy from a US-based seller who's found the models in-store and listed them for sale, willing to post internationally, and then of course us British buyers have to pay import and handling fees on top of the price and shipping.
So understandably, they sell for a lot more over here on the second hand market than they do on the 'right' side of the Atlantic, where you can just nip to a physical shop and buy one!

I first saw this horse sell on Ebay a little while ago, for £80 which was too much for me, so I just admired the pictures but left him alone. Then last week he popped up again, from a different seller, but now at just £30. He'd been carelessly packed and got damaged in transit, with white paint marks on him, and some of his own paint scuffed and scratched. The recipient was rightly disappointed, didn't want to keep him in that state, so put him back on Ebay with his damage carefully described and photographed.
Now, at a much more affordable price (regular runs are currently £45-60 here), I looked again, and decided I could deal with the marks on him - I'm so used to custom painting, surely I'd be able to colour-match the paint, and apply it well enough that if he didn't look 100% immaculate, then at least he'd look mended and handsome again.


And he does!
You can barely see where the marks were; on this side there was a scuff across just above where his elbow would be, on both knees and one fetlock there were flecks of base plastic showing through the black, both ear tips were rubbed, and on his other side, a few very obvious scrapes between the hock and the bum.
Now you'd really struggle to spot any of the repairs, I'm really pleased with how easy he was to mend - all apart from the elbow scuff which was deep enough to scratch the plastic as well as the paint, so although the colour is replaced, if you tilt him to the light there's a rough mark which doesn't shine. But he's fine on display, I can't see the 'scar' in any of these pictures taken at the normal kinds of angles you look at a horse, it's only when you turn him upside down and hunt for the flaw that you'd find it.


I think he's really handsome, the mould is a good one with a fine noble head and a powerful, elegant pose, he makes a good Spanish Mustang.
His official name was Jasper, but I've gone with Whirlwind, cos I've got a rearing Spanish Mustang in bay sabino called Wayward Wind, and I like family name themes! Although Whirlwind suits him, being suitable undomesticated for a feral horse, unfortunately I don't have any wilderness-landscape backgrounds big enough for this scale, so he has to pose in front of this bit of English countryside complete with fence line and distant fluffy sheep!


The other side - I even zoomed in on the full size image of this before I resized it, and can't make out the repairs anywhere on his hindquarters, so I'm really glad I decided to go for it and hope I could repair him.
The seller had put in the description that he could be used as a custom body, and at that price he could've been a bargain for someone to repaint, but I think with him being a special run it would've been a shame to change him entirely, at least this way he gets to stay himself in his own colour, and I get a rarer model for my collection than I could have afforded otherwise.


A solid colour like bay can seem a bit boring, especially when compared to the pinto Picasso which is the only regular run on this mould so far, and got to be such a gorgeous flashy pattern copied from the real horse. But when they make a bay this rich and well shaded, with the nicely designed white markings (love the little wibbly edges on the ones on his face!), it's anything but plain and dull.

The other second-hand addition to my herd this month was a little grey pony which was sold with no name on release, so I've called him Platinum Jubilee after the long weekend's national celebrations. I imagine if he was a real pony with that long-winded name, it'd get shortened to PJ or Joobs by whatever children were riding him!


He's a 2009 regular run, and originally came with a blue nylon halter.
I don't mind that he's lost it, though; I make a point of never leaving any headcollars on plastic models on the shelf incase it marks their faces - I've seen older horses with coloured stains from the dye, or 'tan lines' where the plastic has yellowed each side of the strap but not under it. So it's safer not to use tack on display (the only ones I keep tacked up are my Household Cavalry set, and a custom diorama of a George Stubbs painting, as the accessories and rider are an integral part of each scene, and it doesn't matter if they get any marks under the tack as it'll never be removed.)


This mould was sculpted as a Morgan, which we normally think of as a horse-sized breed. But he's a portrait of one individual, Flash, who was only 14.1hh, and was used in Pony Club training and competition in the USA. And the fact he's pony-sized is why I liked him so much, and had to add him to my collection : my first horse was a grey pony, Arab cross Welsh C, so I've always had a soft spot for a little pale grey.


The only thing I'm not so keen on with his paintjob design is the grey face : usually the dark skin showing on the head, even in a fine summer coat, will be mostly on the muzzle and around the eyes, not spreading right up the front of the face too.
That was why I didn't buy him first time round, even though I was already collecting in 2009 I remember not liking the dark head, but this example does look a lot less black than some I've seen, it's a softer shading so detracts less from the overall realism.
Just seeing him brings a hefty dose of nostalgia for the old model horse forums - I knew a couple of people who owned this release from new!


He's got beautifully subtle dappling, on his sides and a little on his neck, faint and very gently applied - some Breyer dappling around that era got derided as 'fishscales' by collectors, as it looked very harshly drawn in as semi-circles or overlapping circular blobs, but I think they've done a nice job here.

There's one more second-hand model soon to be joining my herd (the 2022 releases still haven't reached this country yet - I think I'm rehoming so many older horses to make up for not being able to get hold of any new ones!) but he's still in transit so he'll have to have a post to himself later on.

Saturday 4 June 2022

A Platinum Jubilee special

Just a quick blog post to mark the Platinum Jubilee on this long weekend.

While I don't have the Breyer portrait of the pony owned and ridden by Queen Elizabeth herself (Carltonlima Emma, the Fell), I do have three models of horses from the Household Cavalry, which have played such an important role in the celebrations this week, and many many ceremonies throughout her long reign.


First up, 2003's limited edition release from Breyer, titled "A Life Guard of the Queen's Household Cavalry' and sold in a presentation box. I had this set as a present from my mum the following year, for my 21st birthday! 
I hadn't got a good photo - I think I had trouble finding a background big enough for a mounted scene way back when I got this pair - so I took them out in the sun this morning for a brand new up to date shot. 
After all this time, the set still looks almost as good as new, a little dusty here and there but nothing that couldn't be sorted out with a bit of attention, and the trooper has misplaced his gloves - I must still have them somewhere, but I can't find which of the safe storage places they've ended up in!

The next two aren't official releases, but my own efforts : horses in home-made tack and riders in home-made uniforms.


In 2009 I made this portrait of Spartacus, one of the Household Cavalry's most famous drum horses, and a very special Julip in my collection.


He's extra beloved because I painted him myself, at one of Julip Horses' open days in Cattistock. The reference photo there on the table is one I took myself, the first time I saw him perform in person, at a country show in the 1990s.
I planned ahead and made all his tack and dressed his rider in advance to take with me, then on the second day of the event he entered the live show, and won his class, bringing home a little gold trophy all of his own - it still sits next to him on the shelf, alongside his drums.


The following year, I had chance to see the real Spartacus again, not only performing for the public, but also a backstage visit meet him up close and give him a bit of fuss and a chat - and yes, I did tell him I'd painted him! 
Here's some photos of him doing the whole 'meeting his fans' thing, chilling in his double-sized drum horse stable, as well as a couple 'on duty' later in the day.
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The second cavalry Julip for my collection was less of a patch-by-patch portrait, but a simple black spare in the Thoroughbred mould, which I named after a cavalry horse Gandermack, and dressed to look the part. 


He isn't a direct copy of the real individual (she was a mare, with no white markings, and never played the laying down part the musical ride - I just loved her name!), but is a tribute to the Household Cavalry in general. I even had some tips from an army friend who rode in the musical ride on how to make the uniform more accurate!


I only realised this week that I didn't have a photo of the complete set with trooper mounted, so I took them outside for a new shot specially in time for the Jubilee.


I even gave him a British flag to hold for the occasion (and then had to wait til the wind wasn't wrapping it round his face for the photograph!)