Saturday, 31 December 2022
Painted in 2022
Tales from the Body Box - Two Stablemates, two CollectAs
I'm trying to catch up on posting, so that all my 2022 customs have a '22 date on their blog posts! Here's the last few customs I did a while ago - as you can tell from the background being open country, they had their photoshoot the same day as Red Queen.
First, two racehorse portraits. I don't always paint the winners of the biggest races, but rather my favourites - the horses I like for their character, their looks, their performances - any where I've especially enjoyed following their careers.
His name is apparently the name for Frodo in the French translation of The Lord of the Rings, though I've no idea why it needed alteration as it's already not a real name in the author's native English either!
He's a good colour to paint, with just enough white markings to make it easy to capture the likeness - when they're plain bay or chestnut it can be harder to make the model look like the real horse, but a few socks and a face marking or two and it's much better! He varies in colour through the year and depending on how recently his coat has been clipped, but here's a fairly similar picture to how I've painted mine.
Potters Corner is another long distance steeplechase horse, another tough stayer who relishes the winter mud conditions and did great things for a small yard, for a trainer with not many horses he was the first stand-out star. He won the Welsh National, but never made the big one - he won the 'virtual' Grand National the year it didn't happen due to Covid lockdown, when a computer programme worked out the most likely winner based on form, stamina, suitability for the track, and previous jumping ability. He's retired now, so he never will get a real run in the race, but he's been given to the stable hand who looked after him and promised a home for life with 'lots of attention and cuddles', which is pretty adorable in a world where horses can easily be passed on and forgotten when they stop winning.
Another interesting colour to paint, he's officially a bay but with a lot of light brown shades in his coat, including the mane and tail which would usually be pure black. You can see a nice picture of him here. And again, I like that he's got plenty of white on, so it's given me plenty to match to the reference photos.
The next two are CollectA customs, but the first also has a racing link. You might recognise him if you're a Breyer collector, as they've also made a portrait of the same horse.
Harley is a spotted draft horse who works on the racetrack where this year's Breeders Cup racing was held. His role is 'ponying', which is accompanying racehorses down to the start, and back again afterwards - we don't have horses doing this job at all in the UK (it's legally allowed in our rules, but you only ever see it in practise when US horses have been flown over for the big meetings - none of our British or European trainers seem to bother!)
For the last couple of years, the Breeders Cup race meeting has been covered by British tv, so we've got the chance to see Harley in action for the first time. He really is a striking-looking animal, huge and sturdy and with such an eye-catching colour, I started wondering if I should buy his official Breyer portrait release after all.
But I'm not keen on the mould - I love the pose, but not the sculpt style - and no matter how good the colour was, or how much I liked the real horse, I didn't think I'd take to the model. So I decided to paint my own, and with no Stablemate mould really looking like him, I went up a scale and looked through the CollectA moulds to choose the one which was the best match.
A couple more pictures, including the other side, cos I often neglect the 'wrong' side when a mould looks better from a certain direction.
And finally, one more CollectA custom, the Yakut horse.
When this model was first announced, I remember saying it's a shame he's not dun, as that's such a distinctive colour for the breed as well as being a bit more interesting than plain grey - and I've seen several other collectors saying the same thing since. Rather than wait for them to re-release it in dun (now they are reissuing moulds in alternate colours, that's at least a possibility to hope for!), I decided to buy a duplicate and make my own dun one.
He's bay dun, with leg barring to help make it clear that he's intended as a dun not a light bay. I'd love to do some different shades as well, maybe a paler bay or buckskin dun, a black dun, and a greying-out dun which would be even paler, I'd happily have a whole herd of these little things!
He looks nice against the blue sky! I've named him Ärčimnǟx, which means strong and energetic in the Yakut language - most of their horses are named with descriptive terms about their colours or characters, and the word for 'dun' was too hard for me to read or say so I picked something else!
Weirdly the other side of him looks more orange in photos, but it must just be the angle of the light cos I used the same pots of paint throughout! I love the attitude of this sculpt, and I think he looks even more expressive with his features painted in more detail. And he does look good in dun, so we were right!
One last shot, it seemed a shame not to make the most of the frosty ground for this horse breed from a very cold climate, here's a bit of local icy road standing in for Siberia.
Breyerfest special runs Mamacita y Chico
I have another Breyerfest release to introduce, and this one's a matching pair!
In 2016 the theme was 'carnival', so all the special run models were Latin American or Iberian breeds. The Andalusian Mare and Foal were sculpted by Brigitte Eberl, we've talked about her work on here before, and I'm a real fan of the style - the horses have a lot of life and character, and there's a rougher texture to the finish on muscles and skin creases, they're not crisp and smooth and stylised like some sculpts. Eberl horses seem to be handsome and naturalistic rather than pretty and idealised, and I rate that highly when picking my favourite moulds!
The mare Mamacita was described as a sooty buckskin, but I think she looks more like a bay. And I'm going to have her as a bay - so she can be an Altér Real rather than an Andalusian! I'm always up for adding a rarer breed to my collection, and it's nice to have another Portuguese breed rather than adding to the loads of Spanish ones I've got already.
Altér Real horses are always bay, but lots of different shades - here's a good picture of a herd where you can see some lighter, some darker, but all very similar looking.
Even though the mould was sculpted as an Andalusian, Altér Real are said to be generally a bit more solid and chunky than the main Portuguese Lusitano bloodlines, and that's because old Andalusian blood was crossed in to undo the influence of some bad cross breeding in the Napoleonic era, which diluted the classic Iberian type toward being a lighter cavalry horse - using the unaltered pure Andalusian helped revert them to their older style. So a model which was sculpted as an Andalusian makes a perfectly good example of an Altér Real, too, as long as it's bay!
I was struggling to catch the light before the sun went too far down (these were taken with the fake grass mat resting on the roof of my mum's car to get high enough, I'd used up too much time on the jumping horse in my previous post, and only had minutes left!) so only got two pictures rather than the usual full photoshoot, but I did at least remember to take one of the 'wrong' side this time!
Here's her matching foal Chico, again described as buckskin in the release text but I think he works fine as a bay - a lot of foals are very much lighter than their adult colour, including having pale points on the legs instead of the jet black they'll grow in as they shed into adult coats. Again, here's a herd photo, of some Altér Real mares and foals this time - those babies at the front look just as pale as my mini one!
He's an alert-looking little chap, and I also feel it's nice to have a foal sculpted as a distinctive breed type, with his Iberian head. Most of the foal moulds are rather generic light riding horse TB/sport-type or stock horses, so they can be paired with lots of different adults, so it's good to see the expense and attention being spent on creating a good Spanish/Portuguese foal, even though they only have one mare he could go with.
I've given them matching pair names, which are also seasonal! They were posted to me on the 21st of December, the winter solstice, so I looked up the Portuguese term for that and it's 'Solstício de inverno' - so I've named the mum Harecroft Solstício, and her baby is Harecroft Inverno.
Breyer Traditional mid-year 2022 - Get Rowdy
Wednesday, 28 December 2022
Tales from the Body Box - Harpley Red Queen
Back after nearly a month break from painting - with something very big and precious to share!
Normally, I don't paint many resin models, they're a bit beyond my budget. And I don't paint anything larger than CollectA, as they're too big for me. So a large scale resin? Not something I've ever tackled before!
But recently, one of my long-time friends contacted me with a wonderfully generous offer I couldn't refuse - would I like one of his resin sculptures to paint? No charge, just that he'd really like to see one in colour, and thought my painting style and area of interest would suit the horse in question so well - a historical hunter.
Years ago, we got to know each other not only though the model horse world where we collected the same brand and met at the company's live show, but also a shared interest in horsey art and writing online - we often drew things for the same community events, and got to know each other's fictional horse and rider characters. So with the resin in question being a portrayal of a hunter from 'my' era, and me being known for drawing historical hunters, it was a perfect match.
I just had to be brave and scale up my painting by quite a lot, as this mare is the size of a small Traditional scale Breyer (those are 1:9 scale, she'd be a little less) You can see her on the official shop page here.
I waited til Tomas had seen and had chance to talk about the photos of the finished horse before posting her here, as it seemed a bit rude to go showing other people before her creator got 'first look'. And then I wanted to hang on til I'd got some sunnier photos cos I wasn't too happy with the first batch. And then I just ran out of mental energy and couldn't make myself catch up on blogging, so what with one thing and another she's waited a little longer than she should've. But now it's time to introduce her : meet Red Queen!
Red Queen is one of the fictional horses I made up a few years ago - there used to be regular community art events where lots of people drew their horses doing the same thing, for sharing together on a certain deadline - maybe showing, or jumping, or in this case, hunting. The other artists taking part drew modern scenes, so a lot of events I couldn't take part in. But I could get away with virtually sending my historical characters along to hunt meets, as hunting hasn't changed very much over the generations (no foxes now, but I never did put foxes or hounds in my pictures anyway), so they didn't look out of place at all.
The drawn version was a rather chunkier horse than the resin, which is very long and lean-legged, but it doesn't matter too much - it's more the colour, the markings, and the personality of the horse which I'm translating across to 3D form.
Here she is the first time I drew her, making on her first appearance on the hunting field - Aubrey is a hopelessly ineffective rider, but doesn't like to admit weakness, and will insist on hiring a horse which is far too much for him to handle, for the sake of trying to look good on something impressive. Usually they sneak along slowly at the back for a bit, then take a detour to the pub, where he'll tie the horse up outside and spend the rest of the day seeing how much he can drink. Sometimes he doesn't even remember to return the horse, and most of the dealers hiring them out have started to refuse him.
Red Queen is far too keen on bombing along toward the front of the field to go steady or wander off part way through - she's really going for it, and Aubrey's hanging on for dear life - but for how long can he stay in the saddle?
Not for long, it turns out!
Red Queen's still jumping with enthusiasm, but she's lost her passenger somewhere along the way. Val, in the green coat, is hunt staff and planning on catching the loose horse he's spotted as soon as they move onto level ground. Iris, on the chestnut horse, is thinking it looks quite the powerful jumper, with attitude and bravery, and might go and try it out another day, if the dealer's open to selling rather than hiring.
And here she is with Iris on their first hunt after the sale went through. With a more effective rider and a change of tack, Red Queen is much more under control and enjoying her job.
Now, on to the creation of her model counterpart. I took some progress stages to show Tomas the way the paintjob developed, and thought they might be of interest here too.
And then a photoshoot all finished -
But I was never happy with these pictures, cos the light in my garden is so terrible at this time of year, with the sun low near the horizon it barely clears the roof and wall, what does reach in is streaked with tree shadows, and the models themselves cast a shadow on the backdrop if it's held at anything but this awkward angle, which doesn't flatter the horse well.
So, finally fed up with not being able to take pictures of any of my other recent arrivals or repaints, I convinced my mum to drive me and a box of towel-wrapped model horses into the open landscape outside the village, so I could take photos without the problem of catching small patches of light, or shadows on backgrounds!
Red Queen went along too, to see if I could get some nicer pictures than first time round.
In the end, painting a much bigger horse wasn't too scary, but I think it helped that I was so grateful for the gift, and determined to do justice to the sculptor's trust in my ability, which made me motivated to hurry along and get her painted up. I couldn't have left this one gathering dust for ten years like the others! I love her already.